No War But Class War


A Column

SKRSINTL/ZamZam Sounds/Sophia Loizou/Gabor Lazar/Aspect/4625

“Workers have no country. You cannot take from them what they have not got” – Karl Marx

4,500 pairs of shoes, laid in front of the Council of the European Union in Brussels, representing every person killed in the Israeli/Palestinian conflict over the last decade. 500,000 (approx) lives lost in the ongoing Syrian conflict. 10,000 people dead as a result of the war in Yemen. 7,000,000 people on the brink of starvation as a consequence of the war in Yemen. 230 people dead due to homelessness in the UK during the last five years. 120,000 deaths linked to Neoliberal UK austerity policies. 215 fatal stabbings in the UK in the 12-months leading up to March 2017. 30,000,000 pounds of taxpayer’s money spent on security for the marriage of Prince Harry and Meghan Markle.

Capitalist surrealism just won’t stop taking it to the T.O.P. on the D.E.X. tonight. Hypernomalisation as comfort blanket. We barely flinch. Rewind. Seemingly engrossed in the promise of love, amidst the hatred of war, the stench of poverty. Escalating military conflicts, primarily in a huge arc from Yemen to Ukraine, the rise of xenophobic nationalism, increasingly pointing towards preparations for global conflagration. Coalitions of confusion, breeding grounds for ideas that are diametrically opposed to revolutionary perspectives and solution-focussed critical thinking. The right wing, the left wing, merely wings of the same bird. This bird is sinking. This not-so-sweet bird of untruth.

Nationalism, be it the xenophobic freedom-of-hate-speech Islamophobia of the FLA, or the emerging nationalist arguments around small-nation-thinking coming out of Scotland or Catalonia, only serve to weaken working class internationalism. Working class revolution is the only remedy to a world of exploitation and increasing barbarism. Amongst the furore around anti-fascism, the so-called defence of democracy, or the rights of small nations, workers have to remember that the main enemy is still within. The epoch of efficient capitalism has long since passed. Those who look for a progressive element in the conflicts between factions of capital will be left wanting. Internationalists concur that the only way to end this imperialist carnage is not to line up on any side, but for the world working class instead to educate, agitate and organise themselves in their own interests to fight against their exploiters.

Meanwhile, in the darkened dancehalls of the global counterculture of resistance, Seekers International continue to mutate the murderation in the form of ‘Black Mazda Soundclash’ (Liquorish Records). Here, SKRSINTL deliver 28-all-new volleys of rapid-fire mashup gathered from skirmishes across the globe: the spoils of sound clash war. Their most inspired outing yet, ‘Black Mazda Soundclash’ raises an already heightened bar to the rafters in a display of excellence widely considered to be world-beater material. SKRSINTL cement their reputation as one of the most forward thinking crews active on the world stage presently. Available on limited edition cassette or digital:

Formed in 2012 by Ezra Ereckson and Tracy Harrison, ZamZam Sounds‘ approach is resolutely artistic-over-commercial. Up to now, they’ve been releasing only 7-inch vinyl records in limited quantities, with meticulously executed artwork. Soundwise, ZZS procure the wildest dubman grooves: the freshest takes on roots, steppas and echo-tech, from all over the globe. Each record is packaged within hand-made, screen-printed sleeves, rendering each artefact unique beyond the sounds themselves. The label’s name refers to the traditional Muslim story of the Arabian ZamZam wellspring, which saved the lives of Abraham’s Lady Hagar and son Ishmael, and whose waters still run today. ZZS’ companion label Khaliphonic releases longer format vinyl 10-inch and 12-inch records, and the hype is simmering as I type for their much anticipated forthcoming release of Strategy‘s ‘Dub Mind Paradigm':

The long-awaited ‘Irregular Territories’ (Cosmo Rhythmatic) EP from Bristolian rave archaeologist Sophia Loizou has been kicking up a fuss in the tMx bunker this past month. Following on from her ‘Singulacra’ LP from 2016, this ruffneck six-tracker jacks junglist riddims into the swelling chords and arpeggios of rave culture detritus to detonate the ambience with ordinance. Digging up breaks from the past and launching them headwards into the future, Loizou’s approach is both hauntological and innovative. Shattered beats punctuated by gasps and sighs, the fragile facade of neo-classical endeavour splintered with inventive intent.

Gabor Lázár studied electronic music/media art at the University Of Pec’s Faculty Of Music and Visual Arts, before co-founding Last Foundation. His debut release appeared back in 2013, in collaboration with Russell Haswell. His style is hectic and unpredictable, eclectic and undefinable, battered yet composed. ‘Unfold’ (The Death Of Rave) finds him expanding over two sides of clear wax, through eight movements, in a stunning display of next level club sonics with scientific precision. Building on collaborations with the aforementioned Haswell and Mark Fell, Lázár strikes out alone here in his most refined presentation yet. There’s a timelessness to this record that screams ‘future classic’ at you from somewhere behind Dr Who’s settee, deep within the Tardis. ‘Unfold’ is a record that demands your attention, and pummels you into submission. Faultless in every respect, the sound of ground being broken in spades. Mastered and cut by Matt Colton at Alchemy, with artwork designed Daniel Kozma, as we approach the halfway mark in 2018, this is one that will surely be troubling the scorers come close of play.

Aspect – ‘Stand Clear’ (Droogs) – UVB-76 Music‘s affiliate label DROOGS, returns with their 2nd release, this time a primal offering from veteran UK producer Aspect. ‘Stand Clear’ and ‘Untitled’ are both explosive tracks in their own right that have been hammered unconscious by the UVB-76 core members, but ‘Stand Clear’ alone is worth the price of admission: as dark our collective futures, bound to give you nightmares. Ugly times demand ugly music.

An essential companion piece to the Aspect platter above, our final selection this month comes from Bristolian junglists, 4625. ‘4625-001′ (UVB-76 Music) is a collective vision, capturing the collaborative output of UVB-76 Music’s core members. 4625 continues and builds upon the foundation laid by the label since 2015, ensuring the evolution of their collective art at both the periphery and the core simultaneously.

Jean Encoule - June 6th, 2018

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